An Ode to A City

Patrick Martinez was born and raised in Los Angeles, with a multicultural heritage – he is Filipino, Mexican, and Native American. This gives him a unique persepective and outlook – something that he has translated into his artwork – all of which show that his figers are firmly placed on the pulse of his city and the nation.

He captures the essence of the city and its forgotten nooks and crannies – neon signs from convenience stores, bakeries, and barber shops that tell desparate stories, funeral wreaths for sale on street corners, a shocking pink bogainviilea peeking out from over a fence – all these show up in his mixed media work – and convey messages about forgotten streets and overlooked people.

Martinez has taken very ordinary neon light signs seen in local shops and bars and turned them into meaningful works of art.  In one, the neon sign reads, references German (anti-Nazi) pastor Martin Niemoller’s  (1892 – 1984) well known quote: First they came for the socialists, and I did not speak out Because I was not a Socialist. Then they came for the Trade Unionists, and I did not speak out Because I was not a Trade Unionist. Then they came for the Jews, and I did not speak out Because I was not a Jew. Then they came for me and there was no one left to speak for me.

Baggage Claim

Only an immigrant, especially one that has left home in a rush can understand the value of baggage. The exhibition Baggage Claims at the Orlando Museum of Art explores the role of baggage in our lives – baggage is the only thing all our immigrant parents brought with them when they came to this country.

South African artist Dan Halter’s large world map made of cheap woven plastic bags – which serve as baggage to many poor people throughout the world -shows more people are displaced today than at any time in world history; all they have is the baggage they left their homes with.  Refugees from Syria are travelling through continents with their baggage, and with the emotional baggage of leaving their homes under such sad circumstances.

Here a pile of suitcases wait patiently on the floor waiting to be picked up by the owners.  Almost all pieces of art in this exhibition were on the floor – as though they had just been left there briefly by the traveler, while taking a break from carrying them.

Cuban artist Yoan Capote’s Nostalgia is a brick filled suitcase – perhaps reminding us of the dangerous voyages the people of Cuba have taken across the seas at the risk of drowning to the bottom of the sea with their heavy baggage. Indian artist Subodh Gupta showcases a common piece a luggage used by the weary traveler – a rolled up mattress that can be unrolled for sleeping on, when the traveler gets tired. 

Portable City Chinese artist, Yin Xiuzhen, shows a suitcase which carries an entire beloved city. Pieces like this make one realize how difficult it is for immigrants and refugees to leave their hometowns, not knowing if they will ever see them again.  The bright and cheerful color of the suitcase shows how much the artist loves her city.