“Ask anyone over the age of about 40 about that sultry summer’s day and they will doubtless remember the Wembley concert’s defining moments: Queen, David Bowie and U2, Bob Geldof’s impassioned plea for people to donate more money, and the presence of our own fairytale princess, Diana. ”Sheena Grant, East Anglican Times July, 12, 2015.
Organized in just 10 weeks the Live Aid concert resulted in the greatest outpouring of collective compassion for a faraway people the world had seen. The concert raised over $127 million and saved thousands of lives – 100% of the contributed funds went to famine relief.
Impact on Africa – There is no denying that Live Aid did a phenomenal job in raising awareness of the conditions in Ethiopia, and raised funds that helped meet a desperate need at the time. The fund raising was so successful that at one point the phone center in the US crashed when 700,000 calls came in at the same time. Additionally, the phenomenal success of Live Aid encouraged many Western nations to send surplus food supply to Ethiopia. In the US, Live Aid’s legacy moved Congress to pass PL 99-66 which declared July 13, 1985, Live Aid Day. In the UK, Margaret Thatcher agreed to put famine relief on the G7 agenda.
I returned to England, my mind reeling with visions of intolerable destruction, political ineptitude and mass death. As I landed I felt I understood the impulse which sometimes prompted people to kiss the ground. It was good to be home, but I now knew that we had not yet done enough. Bob Geldof
Band Aid was a huge success, £5 million were generated from sales just on Christmas Eve 1984. The money was turned over to representatives from several accounting firms for distribution. Little did Bob Geldof realize that trouble had just begun – the purchase of grain and food and its transportation was bogged down in a maze of red tape.
And so after the staggering success of Band Aid, Bob Geldof had to address the issue of distributing the funds. He was not keen to involve any charitable organizations as they would keep a portion of the money to cover their overheads. He had given his word that every penny donated would go to Africa for the famine victims. After some amount of hesitation – because he had no money of his own and he did not want the trip to be perceived as a self-promotion tour – he decided to go to sub-Saharan Africa to appraise the situation himself. His ticket was paid for by the Daily Star newspaper that wanted to get exclusive rights to his story but relented when he refused to give them exclusive rights.
He made trip after trip to Africa, never using any part of the funds for his expenses. The conditions in Africa were heart breaking. On one such trip he walked so much to reach the villages that his shoes fell apart and he completed the trip in carpet slippers. In Africa he met numerous heads of states and dignitaries, but to this day the highlight of his life was meeting Mother Teresa in Africa.
With his trips to Africa, Bob realized that the money generated by Band Aid would not be nearly enough, he knew he had to do so much more. The answer came to him in the spring of 1985.
We watched the 6 o’clock news.., the scenes were absolutely riveting and this from the get go did not look like television, it looked like Spartacus, something vast and it was gray, these grey waves moving in this grey moonscape. And the camera was pitiless, it was like a cyclops, just there it would not let you off the hook. Bob Geldof.
Bob Geldof was among the millions that saw the BBC documentary on the evening of October 23, 1984. He could not get the images out of his mind. He knew he had to do something. He woke the next morning, and had an idea of doing a song with other singers. He wanted to record and release the song for the Christmas season. He called Midge Ure, a popular artist at that time, who agreed to work with him on the song. Within a week he wrote the lyrics to the song “Do they know its’ Christmas time?” and he and Midge Ure put the music together.
With his feverish, almost manic, desire to do something and the looming Christmas deadline, Bob Geldof recruited the top British and Irish singers of the time, and created a mega-group from 45 of the biggest superstars of British music including George Michael, Sting, Phil Collins, Boy George, U2, Duran Duran, Culture Club to sing the song. The superstars united under the name “Band-Aid’’ in a bold act of charity that was unprecedented at the time
The song provided immediate relief for Famine Victims. Bob Geldof had hoped to raise £72,000 – instead he raised £8 million ($11 million) to benefit famine victims of Ethiopia. He started an organization called “Bad-Aid Trust” which was used to collect and disburse the funds. Instead of using charitable organizations, he decided to use the Trust to disburse the money as he had pledged that every penny would help famine victims. This took him to Africa where he realized he had just dipped his toe in the pool – he knew this would not be enough.
The song became the conscience of the rock and roll world. In the height of the 1980s, Band Aid reconnected rock stars with their consciences – forever linking celebrity to charity. Bob Geldof had harnessed the power of celebrity singers and the consumer – and brought them together for the first time.
The enormous success of Band Aid and “Do They Know It’s Christmas?” paved the way for using the powerful force of celebrities for charitable causes. It inspired USA for Africa’s “We Are the World” for famine relief which was released on March 3, 1985, and went on to sell 20 million copies and raised $75 million. Others records inspired by Band Aid for famine relief included Austria for Africa, Chanteurs Sans Frontieres, among others. Additionally records such as Steven Van Zandt’s “Sun City” in protest of South African apartheid; and a Dionne Warwick remake of the Burt Bacharach ballad, “That’s What Friends Are For,” for Aids research were inspired by the siccess of Band Aid.
The success changed Bob Geldof’s life, it made history. In the middle of Thatcherism, Band Aid came along and made people aware. It also made charities incredibly cool. Young people were getting more and more involved in charitable causes. Something had changed. Midge Ure.
This is the way I feel I pay for my citizenship – by using my fame whenever I can to transmit an idea.” Sting.
Bono, the lead singer of U2 and one the world’s biggest philanthropists credits his philanthropic roots to Band Aid.
George Michael gave the entire profits from his single “Last Christmas” to Band Aid.
Every year at around this time, the radio stations start to play Christmas music. This also gives me an excuse to listen to “Do They Know It’s Christmas Time?” one of my favorite songs – it’s one of my favorite songs, not just a favorite Christmas song. Last year as an 8th grader, for a National History Day project, I had written about the Irish singer Bob Geldof, and the work he did in the 1980s for famine relief in Africa. Writing about Geldof, discovering the 80s music, the involvement of the music industry in charity, the famine in Africa, the BBC reporting of the famine, Band Aid, Live Aid, and their legacy – I learnt more from this project than I ever expected to. As I was hearing the song, I decided to write about it some more as I really enjoyed that project.
The BBC Documentary: A Watershed Moment for News Reporting
The Ethiopian famine came to international attention when BBC correspondent Michael Buerk started reporting on the extent of this disaster. On October 23, 1984, during the evening news BBC aired his report. According to The Guardian, Michael Buerk’s broadcast of a “biblical famine,” was filmed in a remote part of northern Ethiopia. The images shot by Kenyan cameraman Mohammed Amin, together with Buerk’s powerful words, produced one of the most famous television reports of the late 20th century. Though there were news reports prior to this, the haunting images from the documentary triggered an avalanche of support from all who viewed it.
The New York Times said of this report, “The plight of starving Africans had been recounted previously in newspapers and on television but it was not until a film report by a British journalist appeared on NBC late last month that governments and individuals were galvanized to help” (NY Times, Nov 22, 1984).
The report shook the world from its stupor. Suzanne Frank of The Guardian wrote, “Long before satellite, social media and YouTube, the BBC news item from Ethiopia went viral – transmitted by 425 television stations worldwide. It was even broadcast on a major US news channel, without revoicing Buerk’s original English commentary – something that was almost unheard of. Bob Geldof viewed the news that day.”
“We watched the 6 o’clock news.., the scenes were absolutely riveting and this from the get go did not look like television, it looked like Spartacus, something vast and it was gray, these grey waves moving in this grey moonscape. And the camera was pitiless, it was like a cyclops, just there it would not let you off the hook” (Bob Geldof)
It was this incredible report by Michael Buerk, and its serendipitous watching on the BBC evening news by an Irish rock band Boomtown Rats group member that led to Band Aid and Live Aid. Its legacy is massive, not only for the aid it generated at that time but for the line it drew connecting rock music and charity that lasts to this day.
Only an immigrant, especially one that has left home in a rush can understand the value of baggage. The exhibition Baggage Claims at the Orlando Museum of Art explores the role of baggage in our lives – baggage is the only thing all our immigrant parents brought with them when they came to this country.
South African artist Dan Halter’s large world map made of cheap woven plastic bags – which serve as baggage to many poor people throughout the world -shows more people are displaced today than at any time in world history; all they have is the baggage they left their homes with. Refugees from Syria are travelling through continents with their baggage, and with the emotional baggage of leaving their homes under such sad circumstances.
Here a pile of suitcases wait patiently on the floor waiting to be picked up by the owners. Almost all pieces of art in this exhibition were on the floor – as though they had just been left there briefly by the traveler, while taking a break from carrying them.
Cuban artist Yoan Capote’s Nostalgia is a brick filled suitcase – perhaps reminding us of the dangerous voyages the people of Cuba have taken across the seas at the risk of drowning to the bottom of the sea with their heavy baggage. Indian artist Subodh Gupta showcases a common piece a luggage used by the weary traveler – a rolled up mattress that can be unrolled for sleeping on, when the traveler gets tired.
Portable City Chinese artist, Yin Xiuzhen, shows a suitcase which carries an entire beloved city. Pieces like this make one realize how difficult it is for immigrants and refugees to leave their hometowns, not knowing if they will ever see them again. The bright and cheerful color of the suitcase shows how much the artist loves her city.
This is an analyis my sister wrote of a piece she saw in a photography exhibition in Winter Park, Florida. Richard Moss is a documentary phographer who gained fame after he documented the war in the Democratic Republic of Congo. He is known for using infrared color film.
“The most striking thing about this piece is its color. Instead of the black and white image or forest greens that one expects, there is a vibrant and bold pink over the image. The color is unnatural and artificial – not something one would ever see in this setting. It takes over the entire piece – and gives it a surreal feeling. I was impressed by the juxtaposition in this artwork – the vibrancy and brightness of the colors are in sharp contrast with the darkness of the subject matter.
The artist has also portrayed layers and depth in this piece – one figure is placed closer to the viewer than the second figure instantly creating a sense of depth. The sense of layers and depth are heightened by the trees and other foliage in the background. The overall piece has a sense of depth. The artist further added to the sense of space by making the viewer try to look into the distance where the two figures seem to be looking. They are looking in different directions, and the viewer feels a sense of great space and distance by trying to see where the two figures are looking.
The piece has been anchored by the seated figure, who is not completely centered but is off a little to the left. The standing figure on the right balances the figure on the left. The horizontal lines in the piece (on which one figure sits and the other one rests) also provides balance to the vertical positions of the two men.”
According to the Lake Mary Historical Museum, Lake Mary was settled in the 1800s by a tightrope walker and chemist known as Frank Evans. Initially it was two tiny settlements called Bent’s State and Belle Fontaine that depended on the citrus industry. When the South Florida Railroad came to the region in 1880 and had a stop at Lake Mary, it grew from a village into a town. In 1887, Lake Mary got its first Post Office. The city is named after Mary Sundell, who was the wife of the Presbyterain minister Reverend J. F. Sundell who organized his congregation here in 1894.
I have lived in the beautiful town, that I call home, since I was five years old.