A Rose by any other name..

I am always intrigued by names and how they originate and get associated with things. I thought I’ll research a few of my favorite flowers and see how they got the name they did.

Tulip – this beautiful flower originated in Persia and Turkey and gets its name from the Turkish word for turbans. Men wore tulips on their turbans in this region, and Europeans thought the word tulip was for the name of the flower, and not the word for turban and started calling the beautiful flower tulip. It’s interesting because I also think the name looks like a turban – and some sources say that the name originated from the Turkish word for turban. Either way – it’s a perfect name for this much-loved flower.

Theofrastos Triantafyllidis (1881-1955), Still Life with gardenias and red book

Gardenia – this gorgeous white fragrant flower is named after physician and botanist Alexander Garden. It was named that not by Garden himself but Carl Linnaeus a Swedish botanist who formalized binomial nomenclature. Garden lived in Charleston, SC and had sent a magnolia to Linnaeus who felt the need to then name a flower after Garden and picked the cape jasmine and called it gardenia!!

Vincent Van Gogh, Irises, 1889

Iris – the name of this flower is from the Greek word – eiris – which is the name of the Greek Goddess of the rainbow. The flower is called that because it comes in all colors of the rainbow. It is also the flower that announces the arrival of spring by popping out of the ground sometimes through the snow.

Henri Fantin-Latour (1836-1904), Dahlias, 1874

Dahlia – these flowers symbolize summer – and are also very important for Mexico which is where they originated. They were some of the earlier flowers taken to Europe from the Americas and did well in the German and Swedish summers – and were named dahlia after a Swedish botanist Andres Dahl. The Germans wanted to name the flower Georgina after German botanist Johann Gottlieb Georgi – and called it Georgina through the 19th century until they finally gave in to the Swedes.

Mughal, 17th Century, unknown

Marigold – this deep yellow flower which grows profusely all year long seems to be revered in almost all religions. Its name derives from Mary’s Gold – so named after Mary, the mother of Jesus. Marigolds were taken to Europe from Mexico and Guatemala in the 16th century – in Spain they were placed at the altar of Mary which gave them their name. Marigolds are also used in all Hindu religious ceremonies.

John Singer Sargent (1856-1925) Carnation Lily. Lily, Rose (1885)

Carnations – the name sounds like and is derived from the word coronation – these flowers were used in ancient Greek crowns from which they get their name. Today these flowers are used for solemn occasions.

Lily – lilies get their name from the Greek word leiron which was what they called the while lily. Lilies are the oldest cultivated flowers in the world and were grown by the Cretes as early as 1580 BCE.

So many flowers… I could go on and on !!

Carnation, Lily, Lily Rose

Ye Shepherds tell me
Tell me have you seen,
Have you seen My Flora pass this way?
In shape and feature's beauty queen,
In pastoral, in pastoral array

A wreath around her head
Around her head she wore
Carnation, lily, lily, rose
And in her hand a crook she bore
And sweets her breath compose.

The Wreath, Joseph Mazzinghi (1765 - 1844)

Expatriate American artist, John Singer Sargent, was invited to stay and recuperate from a head injury in the Cotswold village of Broadway by his friend and fellow American expat artist Edwin Austin Abbey.  Here a group of artists would gather around a piano and sing the popular song, and spend glorious evenings together either playing tennis or going on boating expeditions on the Thames.  It was during one such boating expedition, when the natural light of the day was fading, that Sargent saw some Chinese lanterns hanging amidst trees and lilies in a garden. This vision of that exact purple twilight moment in the day when natural light gets replaced by artificial light captured Sargent’s fantasy, and he spent the next few months trying to capture that light, the result of which was the absolutely spellbinding painting which he titled Carnation, Lily, Lily Rose.

He chose two sisters, daughters of a fellow artist for the painting because they had hair of the exact color he was looking for.  Every evening, Sargent would stop his tennis game, and wait in the spot with his models for the light to be exactly like he wanted and paint for a few moments.  He repeated this every evening from September to November 1885, when the light changed completely with the changing season.  He then resumed in the summer of 1886 and completed the painting in October 1886.

Lantern with illuminated ridges. Courtesy Tate Britain.

The painting is simply mesmerizing. In it Sargent has captured the twilight moment when natural light is replaced by artificial light, the innocence of childhood with the intense childlike concentration at the task of lighting the lanterns, the beauty of the late summer foliage in the darkness of the leaves and the maturity of the flowers, and the glow in the white cotton-linen dresses of the girls.  The young girls themselves are surrounded by a garden that forms a protective cocoon around them, the eye goes upward with the growing size of the flowers, and the age old Japanese technique of the increasing size of the flowers as the eye moves upward has the effect of bringing the background forward. At the same time the eye moves along the curve of the lantern string, stopping with the two central figures, where balance is achieved with the two girls facing each other.  The glow of the lanterns, some brighter than others, illuminate their faces and dresses, and the ridges of the lanterns. The painting draws you in – into the world of the fleeting light of dusk, and of fleeting childhood summers.